Experience
I have three years of experience editing for the online literary magazine The Ex-Puritan, publishing eight essays per year across four issues. Through this work, I have assisted many non-fiction writers in shaping their essay into its best possible form. Working with a variety of writers has sharpened my ability to help authors achieve their specific writing goals. It has also allowed me to study the essay form in-depth and analyze the craft elements that make an essay stand out.
Prior to this, I gained experience providing feedback to dozens of my classmates on their fiction and non-fiction writing during my BFA at the University of Victoria’s Creative Writing program. Since graduation, I have continued to provide feedback for classmates, which has kept my editing skills sharp in a variety of genres.
My experience drafting a completed manuscript of my first book, a memoir-in-essays entitled BODYMAGIC: A NEUROQUEER ANATOMY OF MY TRANS DISABLED BODY, has helped me to understand book editing from the perspective of a writer. As I have crafted my own intimate and very personal story, I have developed an appreciation for the nuance, sensitivity, and care an editor must embody when working with an author, especially within the genre of memoir. I know that writing memoir can involve excavating painful truths from one’s story that can be triggering. With this fact in mind, I edit memoir with a lot of tenderness and consideration for the impact of my edits on the author.
You can get a sense of my work by reading the essays I have edited for The Ex-Puritan:
Prior to this, I gained experience providing feedback to dozens of my classmates on their fiction and non-fiction writing during my BFA at the University of Victoria’s Creative Writing program. Since graduation, I have continued to provide feedback for classmates, which has kept my editing skills sharp in a variety of genres.
My experience drafting a completed manuscript of my first book, a memoir-in-essays entitled BODYMAGIC: A NEUROQUEER ANATOMY OF MY TRANS DISABLED BODY, has helped me to understand book editing from the perspective of a writer. As I have crafted my own intimate and very personal story, I have developed an appreciation for the nuance, sensitivity, and care an editor must embody when working with an author, especially within the genre of memoir. I know that writing memoir can involve excavating painful truths from one’s story that can be triggering. With this fact in mind, I edit memoir with a lot of tenderness and consideration for the impact of my edits on the author.
You can get a sense of my work by reading the essays I have edited for The Ex-Puritan:
- "Trabaho" by Adam Arca, Issue 71, Fall 2025
- "BE NOT AFRAID!" by Hannah Kezian Augustin, Issue 71, Fall 2025
- "Queer's Park" by Vivian Zhi, Issue 70, Summer 2025
- "Water Bird" by Alexandra McKay, Issue 70, Summer 2025
- "Apartment Block Archives" by Audrey Popa, Issue 69, Spring 2025
- "Before We Begin" by Britt Gilman, Issue 69, Spring 2025
- "Backwater" by Kris Singh, Issue 68, April 2025
- "The Weight of Air" by Caitlin Stall-Paquet, Issue 68, April 2025
- "Associative Study of a Blade" by Afton Montgomery, Double Issue 66 & 67, January 2025
- "Chasing Ghosts" by Kawai Shen, Double Issue 66 & 67, January 2025
- "Without Borders" by Rhiannon Catherwood, Double Issue 66 & 67, January 2025
- "Some Kind of Chain" by Tara McGuire, Double Issue 66 & 67, January 2025
- "Jane" by Tanya Ng Cheong, Issue 65, Spring 2024
- "Thoughts from a Beirut Party Bus: Cultural Performance as Resistance" by Anonymous, Issue 65, Spring 2024
- "The Piano Teacher: On Grief and Queerness" by Khashayar Mohammadi, Issue 64, Winter 2023
- "Heartwood" by Kaye Miller, Issue 63, Fall 2023
- "Listen" by Sylvia Stopforth, Issue 62, Summer 2023
- "Pretend" by Mubanga Kalimamukwento, Issue 61, Spring 2023
- "I Am Your Racial Rorschach Test" by Archana Sridhar, Issue 60, Winter 2023
- "Dagger in the Dragon's Eye" by Ellen Chang-Richardson, Issue 59, Fall 2022